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Liliana Porter Scroll, 2014 etching with hand collage 20 1/4 x 20 1/4 inches (framed)   ARTIST BIO Throughout her enigmatic, absurdist multimedia practice, Argentinian artist Liliana Porter explores totems such as pop culture icons, childhood toys, and kitsch. in many of her works, figurines interact with their surrounding environments, acting out scenes of hard labor. Cartoonish characters are also frequent motifs. Porter's oeuvre includes prints, drawings, paintings, video works, performances, and more. Porter's work can be found in the permanent collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, and the Museum of Fine Arts, Boston, among others. She currently lives and works in New York.   Submit Inquiry Below hbspt.forms.create({ region: "na1", portalId: "22383903", formId: "391f530e-59f4-4ad0-81cb-e54bea6411d6" }); ...

Alex McQuilkin Surface Nature (for Berthe), 2023 flashe on paper on panel 30 x 23 inches (unframed)   ARTIST BIO Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity in her videos, drawings, objects, and installations, through which she explores the construction of female identity in Western culture. She describes her work as “walking a really fine line, investigating the stereotyping and damning of women not directly through a male view, but as that view has been carefully woven into the social structure and internalized in women.” Best known for her videos, in which she plays the starring role, she mines teenage and Hollywood culture to reveal the destructive effects of this stereotyping. McQuilkin’s work has exhibited internationally since 2000. Her paintings, drawings, videos and sculptures explore themes such as the role of cultural aesthetics in defining female identity and the power structures embedded within artifice. Recent highlights include solo exhibitions in NY and Germany and group exhibitions at MoMA PS1, KW Institute in Berlin, Museo Reina Sofia in Madrid, and Centre Pompidou in Paris. McQuilkin’s work has been reviewed in the NY Times, the Village Voice, FlashArt, Art Magazine, and elsewhere. She received her MFA from New York University and is currently a professor of art at New York University.   Submit Inquiry Below hbspt.forms.create({ region: "na1", portalId: "22383903", formId: "391f530e-59f4-4ad0-81cb-e54bea6411d6" }); ...

Holland Cunningham Progress of Love After Fragonard, 2022 mixed media on paper 42 1/4 x 32 inches (framed)   ARTIST BIO Holland Cunningham was born in Roanoke, Virginia in 1967 and educated at the University of Virginia where she studied art history and studio art. She continued her studies at the Art Students League and National Academy of Art and Design. Chosen as a resident at the Bau Institute in Puglia, Italy in 2012 along with an upcoming fellowship at the American Academy in Rome in the Spring of 2022 are highlights. Cunningham uses various mediums to create her work often combining oil, water-based media, photography and animation. Her most recent work is an assortment of mixed media/oil paintings and installations in which she references French and Italian Old Masters. She is an avid collector of discarded photography that she sees not as images frozen in time, but as something that is still in motion. Holland Cunningham is a spectator as well as the protagonist and player in the scene or moment captured. She currently resides and works in New York City.   Submit Inquiry Below hbspt.forms.create({ region: "na1", portalId: "22383903", formId: "391f530e-59f4-4ad0-81cb-e54bea6411d6" }); ...

Dorothy Hood Egypt and Peacock, c. 1980s mixed media collage on card 34 1/2 x 24 1/2 inches (framed)   ARTIST BIO Dorothy Hood established herself as a pioneer of modernism, first as a scholarship student at the Rhode Island School of Design and briefly at the Art Students League in New York City, before settling in Mexico City in the 1940s. There, she would spend two decades embedded in the rich cultural fabric of a city in the midst of post-war and post-revolutionary bohemia. She befriended leading artists and intellectuals including Pablo Neruda, José Clemente Orozco, Leonora Carrington, Remedios Varo, Mathias Goeritz, Diego Rivera, and Rufino Tamayo. In 1962 Hood returned to Houston and had solo exhibitions at the Contemporary Arts Museum, Houston; Witte Museum, San Antonio; Rice University, Houston; Museum of Fine Arts, Houston; Everson Museum of Art, Syracuse, New York; and her work is in the permanent collections of numerous American museums. During her lifetime, Hood’s work, from her formally rigorous yet metaphysical and intimate abstract paintings, to ink drawings on paper and collages, garnered an impressive exhibition history and support from influential critics, curators, and collectors including Philippe de Montebello, Dorothy Miller, Clement Greenberg, and Barbara Rose, among others. In 2016, the Art Museum of South Texas (AMST), Corpus Christi, organized a major retrospective of Dorothy Hood's works and published a monograph about her life and career which culminated in the exhibition and book entitled The Color of Being/El Color del Ser: DOROTHY HOOD (1918-2000). In the fall of 2018, the Museum of Fine Arts,...

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