In her layer painting series, the artist embraces rather than suppresses this natural urge toward reminiscence. The imagery in her large, luminous paintings includes flowers, inanimate objects, and animals, together evoking Dutch still-life painting, Matisse cutouts, Pop art, and more. Her innovative process draws as much on printmaking, Photoshop, and sculpture as on painting. Using a palette familiar to every designer—the titles, too, are formed from combinations of the acronym CMY (Cyan, Magenta, Yellow) —Saban paints on a separate surface and then applies this translucent paint onto the canvas in layers, building yellow and blue into light-saturated greens; sculpting leaves, scales, and bright fields of color in the process. The results are sophisticated, at once as beguiling as a child’s color-by-number collage and pushing against accepted notions of painting, production, and reproduction.